Simon Dobnik


2020

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An Arabic Tweets Sentiment Analysis Dataset (ATSAD) using Distant Supervision and Self Training
Kathrein Abu Kwaik | Stergios Chatzikyriakidis | Simon Dobnik | Motaz Saad | Richard Johansson
Proceedings of the 4th Workshop on Open-Source Arabic Corpora and Processing Tools, with a Shared Task on Offensive Language Detection

As the number of social media users increases, they express their thoughts, needs, socialise and publish their opinions reviews. For good social media sentiment analysis, good quality resources are needed, and the lack of these resources is particularly evident for languages other than English, in particular Arabic. The available Arabic resources lack of from either the size of the corpus or the quality of the annotation. In this paper, we present an Arabic Sentiment Analysis Corpus collected from Twitter, which contains 36K tweets labelled into positive and negative. We employed distant supervision and self-training approaches into the corpus to annotate it. Besides, we release an 8K tweets manually annotated as a gold standard. We evaluated the corpus intrinsically by comparing it to human classification and pre-trained sentiment analysis models, Moreover, we apply extrinsic evaluation methods exploiting sentiment analysis task and achieve an accuracy of 86%.

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Sky + Fire = Sunset. Exploring Parallels between Visually Grounded Metaphors and Image Classifiers
Yuri Bizzoni | Simon Dobnik
Proceedings of the Second Workshop on Figurative Language Processing

This work explores the differences and similarities between neural image classifiers’ mis-categorisations and visually grounded metaphors - that we could conceive as intentional mis-categorisations. We discuss the possibility of using automatic image classifiers to approximate human metaphoric behaviours, and the limitations of such frame. We report two pilot experiments to study grounded metaphoricity. In the first we represent metaphors as a form of visual mis-categorisation. In the second we model metaphors as a more flexible, compositional operation in a continuous visual space generated from automatic classification systems.