Translating from languages without productive grammatical gender like English into gender-marked languages is a well-known difficulty for machines. This difficulty is also due to the fact that the training data on which models are built typically reflect the asymmetries of natural languages, gender bias included. Exclusively fed with textual data, machine translation is intrinsically constrained by the fact that the input sentence does not always contain clues about the gender identity of the referred human entities. But what happens with speech translation, where the input is an audio signal? Can audio provide additional information to reduce gender bias? We present the first thorough investigation of gender bias in speech translation, contributing with: i) the release of a benchmark useful for future studies, and ii) the comparison of different technologies (cascade and end-to-end) on two language directions (English-Italian/French).

Growing needs in localising audiovisual content in multiple languages through subtitles call for the development of automatic solutions for human subtitling. Neural Machine Translation (NMT) can contribute to the automatisation of subtitling, facilitating the work of human subtitlers and reducing turn-around times and related costs. NMT requires high-quality, large, task-specific training data. The existing subtitling corpora, however, are missing both alignments to the source language audio and important information about subtitle breaks. This poses a significant limitation for developing efficient automatic approaches for subtitling, since the length and form of a subtitle directly depends on the duration of the utterance. In this work, we present MuST-Cinema, a multilingual speech translation corpus built from TED subtitles. The corpus is comprised of (audio, transcription, translation) triplets. Subtitle breaks are preserved by inserting special symbols. We show that the corpus can be used to build models that efficiently segment sentences into subtitles and propose a method for annotating existing subtitling corpora with subtitle breaks, conforming to the constraint of length.

The evaluation campaign of the International Conference on Spoken Language Translation (IWSLT 2020) featured this year six challenge tracks: (i) Simultaneous speech translation, (ii) Video speech translation, (iii) Offline speech translation, (iv) Conversational speech translation, (v) Open domain translation, and (vi) Non-native speech translation. A total of teams participated in at least one of the tracks. This paper introduces each track’s goal, data and evaluation metrics, and reports the results of the received submissions.

This paper describes FBK’s participation in the IWSLT 2020 offline speech translation (ST) task. The task evaluates systems’ ability to translate English TED talks audio into German texts. The test talks are provided in two versions: one contains the data already segmented with automatic tools and the other is the raw data without any segmentation. Participants can decide whether to work on custom segmentation or not. We used the provided segmentation. Our system is an end-to-end model based on an adaptation of the Transformer for speech data. Its training process is the main focus of this paper and it is based on: i) transfer learning (ASR pretraining and knowledge distillation), ii) data augmentation (SpecAugment, time stretch and synthetic data), iii)combining synthetic and real data marked as different domains, and iv) multi-task learning using the CTC loss. Finally, after the training with word-level knowledge distillation is complete, our ST models are fine-tuned using label smoothed cross entropy. Our best model scored 29 BLEU on the MuST-CEn-De test set, which is an excellent result compared to recent papers, and 23.7 BLEU on the same data segmented with VAD, showing the need for researching solutions addressing this specific data condition.

Subtitling is becoming increasingly important for disseminating information, given the enormous amounts of audiovisual content becoming available daily. Although Neural Machine Translation (NMT) can speed up the process of translating audiovisual content, large manual effort is still required for transcribing the source language, and for spotting and segmenting the text into proper subtitles. Creating proper subtitles in terms of timing and segmentation highly depends on information present in the audio (utterance duration, natural pauses). In this work, we explore two methods for applying Speech Translation (ST) to subtitling, a) a direct end-to-end and b) a classical cascade approach. We discuss the benefit of having access to the source language speech for improving the conformity of the generated subtitles to the spatial and temporal subtitling constraints and show that length is not the answer to everything in the case of subtitling-oriented ST.