Alina Karakanta


2020

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MuST-Cinema: a Speech-to-Subtitles corpus
Alina Karakanta | Matteo Negri | Marco Turchi
Proceedings of The 12th Language Resources and Evaluation Conference

Growing needs in localising audiovisual content in multiple languages through subtitles call for the development of automatic solutions for human subtitling. Neural Machine Translation (NMT) can contribute to the automatisation of subtitling, facilitating the work of human subtitlers and reducing turn-around times and related costs. NMT requires high-quality, large, task-specific training data. The existing subtitling corpora, however, are missing both alignments to the source language audio and important information about subtitle breaks. This poses a significant limitation for developing efficient automatic approaches for subtitling, since the length and form of a subtitle directly depends on the duration of the utterance. In this work, we present MuST-Cinema, a multilingual speech translation corpus built from TED subtitles. The corpus is comprised of (audio, transcription, translation) triplets. Subtitle breaks are preserved by inserting special symbols. We show that the corpus can be used to build models that efficiently segment sentences into subtitles and propose a method for annotating existing subtitling corpora with subtitle breaks, conforming to the constraint of length.

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Is 42 the Answer to Everything in Subtitling-oriented Speech Translation?
Alina Karakanta | Matteo Negri | Marco Turchi
Proceedings of the 17th International Conference on Spoken Language Translation

Subtitling is becoming increasingly important for disseminating information, given the enormous amounts of audiovisual content becoming available daily. Although Neural Machine Translation (NMT) can speed up the process of translating audiovisual content, large manual effort is still required for transcribing the source language, and for spotting and segmenting the text into proper subtitles. Creating proper subtitles in terms of timing and segmentation highly depends on information present in the audio (utterance duration, natural pauses). In this work, we explore two methods for applying Speech Translation (ST) to subtitling, a) a direct end-to-end and b) a classical cascade approach. We discuss the benefit of having access to the source language speech for improving the conformity of the generated subtitles to the spatial and temporal subtitling constraints and show that length is not the answer to everything in the case of subtitling-oriented ST.